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On the drive to Brierly Station, he didn’t speculate about who Miss DeWinter might be. It wasn’t his job to know who she was, only to meet her train and take her safely back to Westfield Court. She wouldn’t be the last of the friends and relatives who would gather as the old man’s life came to its long-awaited and peaceful end.
Brierly was bustling today, as restless as the St. James household. He was in plenty of time for the train and sat in the car reading. The car was a Bentley Mark VI, as well-maintained and highly polished as it was the day it was purchased. The book he was reading was Thomas Hardy’s The Return of the Native.
When the train rumbled in, he got out of the car. He stood patiently on the platform as the passengers disembarked, holding up a small slate on which he had chalked DEWINTER in large capitals. There weren’t many passengers, but they were briefly delayed while the conductor helped a blind woman navigate the steps. Neil’s gaze fell expectantly on a woman in her thirties, with an awful hat, but she was immediately met by a portly man and a teenage boy. No other likely prospects appeared, and he waited for someone to respond to the sign. No one did.
Finally, only two passengers were left on the platform—a small, homely man and the blind woman. Blind girl, really. She couldn’t be more than twenty. She had a jointed white cane, and her large sunglasses didn’t cover the edges of the scars on her face. She would not have been beautiful even without the scars—too thin, for starters, of average height but with small bones. On the other hand, her face might once have been pretty, and her hair was clean and shining, raven black, and well brushed. She was too pale, and the scars around her eyes were red and ugly. She looked a little lost.
Feeling foolish, he lowered the slate. “Miss DeWinter?” he asked as he approached her.
“Yes,” she said, turning toward his voice with a smile.
“I’m Vincent,” he said. “The St. James chauffeur.”
“Pleased to meet you, Mr. Vincent,” she said. “Thank you for meeting me.” Her voice was soft, her enunciation perfect.
The porter fetched her luggage—a single gray vinyl suitcase with a flower decal—from the depot and turned it over to Neil with a cheerful nod. Jane would be disappointed, especially if the girl’s other clothes were as plain as what she wore, a simple dark dress with long sleeves and an unfashionable, below-the-knees hemline. “Would you take my arm?” he asked, positioning himself so she could place her hand in the crook of his elbow, which she did with easy confidence.
“Do you have a Christian name?” she asked.
“Yes, miss. It’s Neil.”
“That’s a good name,” she said. “Mine is Mary Claire. How is my grandfather, do you know?”
Neil, who hadn’t known the old man had any grandchildren, said, “Hanging on, miss.”
He opened the car door and helped her into the back seat.
“You don’t have to call me ‘miss’ all the time,” she said. “Please call me Mary Claire. Or my friends at school call me Sunny.”
“Yes, miss,” he said automatically and closed the door.
I
was born and raised in San Diego, California and earned a BA in
English from San Diego State University and an MLS from UCLA. I began
my career as a reference and collection development librarian in the
Art and Music Section of the San Diego Public Library and then
transferred to the Literature and Languages Section, where I had the
pleasure of managing the Central Library’s Fiction collection and
initiating fiction order lists for the entire library system.
Although I also enjoy reading biography, memoir, and history, fiction
remains my first love. In addition to the three R’s—reading,
writing, and research—I enjoy Scrabble, movies, and travel.
My
earliest ambition was to be a “book maker” and I wrote my first
story, “Judy and the Fairies,” with a plot stolen from a comic
book, at the age of six. I broke into print in college with a story
in the San Diego State University literary journal,
The
Phoenix,
but most of my magazine publications came after I left the library to
spend more time on my writing.
My stories have been
published in numerous journals, including Eclectica,
Thema Literary Journal, The Binnacle, The Nassau Review,
Orbis, and
The
Avalon Literary Review, and
in the anthologies
Short
Story America, Vol. 2, The
Captive and the Dead, and
Australia
Burns. Four
stories, including one as yet unpublished, received honorable
mention in the
Short
Story America Prize
for Short Fiction contests. A sweet romance, Bridges (2022),
and four romantic suspense novels, Love,
Death, and the Art of Cooking (2021), Guilty
Knowledge
(2020), The
Rebound Effect (2019)
and Seventeen
Days (2018)
are available for order from the Wild Rose Press.
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Happy to have you here today. Good luck with BRIDGES. What a great cover that is!
ReplyDeleteThank you, Liz! The cover artist is Jennifer Greeff. She is so talented!
DeleteWhat an interesting cover. It sounds like a good book.
ReplyDeleteThank you, Doris!
DeleteLove, loved it! Congratulations on this beautiful romance!
ReplyDeleteThank you, Anastasia. That means a lot coming from you!
ReplyDeleteA love of books has been the beginning of many a relationship over the years. It matters not your station in life, reading and discussion of books is a common ground. I am curious to see how this is introduced in the story, how it proceeds, and how their relationship develops. Patricia Barraclough
ReplyDeleteThank you for the interesting comment, Patricia!
ReplyDelete